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How about a discussion topic for those not "In" with a show on what sounds really good, what the buzz is, what you might miss by not having enough time to study the guide.
For example:
Yes, Sideshow Bennie is here, Late Night Cabaret Sunday. I had 3 or 4 people ask even before we had guides out last First Friday.
Wid says to see Stand Up on the Fringe. He stuffed his card in a bunch of the guides at the box office so it would hit you in the lap when you were looking for what to see.
Don't forget to check out Fringe Dance program. As first class as many "programmed" dance lineups in years past. I couldn't even get to "A" when I saw "3 on Top" (Ruba Club) and 4X4. Burst of Pure Dream looks good.
Tons of Free stuff in this years Live Arts, I was surprised. In Rehearsal. When was the last time you saw Group Motion with another Japanese company FOR FREE.
Cabaret looks nice, full bar area, long audience area for socializing, etc. Well worth the trip for Late Night or a show.
Greg Giovanni told Lori at Box Office that Black Palace Pink Party at the National should have all theatrical warnings: that's right, smoking, strobe lights, adult content, GUNFIRE!
I didn't realize from first reading that it is a walk through show; you are in the party. If you like this sort of stuff get tickets early, walkthrough audience size is much smaller than seating capacity for NPL show or even Limbic Pentamater viewing.
More later.
Please respond with your viewing tips.
See you by the fire exit.
For example:
Yes, Sideshow Bennie is here, Late Night Cabaret Sunday. I had 3 or 4 people ask even before we had guides out last First Friday.
Wid says to see Stand Up on the Fringe. He stuffed his card in a bunch of the guides at the box office so it would hit you in the lap when you were looking for what to see.
Don't forget to check out Fringe Dance program. As first class as many "programmed" dance lineups in years past. I couldn't even get to "A" when I saw "3 on Top" (Ruba Club) and 4X4. Burst of Pure Dream looks good.
Tons of Free stuff in this years Live Arts, I was surprised. In Rehearsal. When was the last time you saw Group Motion with another Japanese company FOR FREE.
Cabaret looks nice, full bar area, long audience area for socializing, etc. Well worth the trip for Late Night or a show.
Greg Giovanni told Lori at Box Office that Black Palace Pink Party at the National should have all theatrical warnings: that's right, smoking, strobe lights, adult content, GUNFIRE!
I didn't realize from first reading that it is a walk through show; you are in the party. If you like this sort of stuff get tickets early, walkthrough audience size is much smaller than seating capacity for NPL show or even Limbic Pentamater viewing.
More later.
Please respond with your viewing tips.
See you by the fire exit.
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Sun, August 29, 2004 - 11:52 AMStuff to get tickets for early:
Last Supper is selling out quickly, tix may be gone by start of festival. One SKITsoid is sold out.
33 Fainting Spells shows are early too, don't miss Our Little Sunbeam, last show is first Sunday.
In case you didn't see it, (no photo in guide) Chocolate Genius is first Friday Cabaret with Lee & Dito. Drew & Kate host Saturday with Kandy Whales. Sideshow Bennie with Lot Six on Sunday. Popular acts early this year at Cabaret.
More later (if I have time)
See you by the fire exit.
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Sun, August 29, 2004 - 12:37 PMAlso Pollen Revolution looks good. A new form of Butoh invented in the sixties and not revealed until the nineties. First solo show since '95. First show in the American tour is right here at the Painted Bride.
Speaking of the Painted Bride, they have had Stand on your Man flyers up for a while already. Minneapolis is an up and coming Fringe hub. And so is Austin, the Rude Mechs have a following even amongst our volunteers who specifically wanted to do How Late It Was, How Late.
More Later.
See you from the fire exit. -
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Mon, August 30, 2004 - 9:59 AMI am revved to see the Rude Mechs. Also, speaking of Austin connections, I'm hoping to see Anna Bella Eema, by Lisa D'Amour, which Greenline Project is putting on at the Rotunda. (I have no connection to this company or production, but I've read the play and found it fascinating and challenging.)
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Mon, August 30, 2004 - 11:23 AMI would strongly recommend checking out "CRAIG'S VARIETY HOUR" only because it's different, so different from the other interdisciplinary shows. Yes, there are comedy sketches, but within the hour there will be animated short films, non-animated short films, spoken word poetry, rap artists, improv, and each show will have a different celebrity interview,the highlight being a rare one on one interview with Philadelphia icon Edmund Bacon (yes, Kevin's Dad). Each show will be different and there is so much in each show that will appeal to so many different audiences,with different tastes & different preferences.Even the STAGE is different. The show will take place on a 24x8 stage with two 50inch plasma screens on either side so the audience can catch all the action. I encourage you to check out the website: www.citizenwumpus.com/cs/
Ok that's enuff hornblowing. I hope you will attend.
Thank you for your time.
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Picks on what is going to be good
Fri, September 3, 2004 - 7:46 AMMy picks for what is going to be good:
(based on a certain amount of experience)
Pig Iron
Sa Booge (going early)
Saint Anthony's Body
Tribe of Fool's Echo
I'm going to be at the festival just one and a half days, so won't be able to see everything. (not even close)
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Sat, September 4, 2004 - 7:59 AMI saw "Hairbody" on an impulse yesterday upstairs at The Print Center. What a lovely way to spend a half hour. The design--painted screen, backdrop, and body--was absorbing, and the folding and unfolding rhythm of the piece hooked me, as did the intrigue: will we see the dancer's face?
I think today (Sat, 9/4) is the last day it can be seen. (Looking it up ...) 1pm, 230pm, 4pm.
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Sun, September 5, 2004 - 1:48 PMProduction Values
presented by Uncut Pages Theatre Company, "a new, all female company founded by nine students at Bryn Mawr College."
I enjoyed this $5 lark, a 45 minute skit-like tangle between two fictional productions of Shakespearean plays, a 'traditional' Twelfth Night and an 'alternative' Henry V. The production features talented sisters Lilah Rahn-Lee (as Henry 5 / G) and Charlotte Rahn-Lee (as Viola, and also the writer and director). Favorite moment: G's heated declaration of why Henry V *must* be performed after Twelfth Night.
Incidentally, the downstairs space at the Ethical Society is nicely outfitted with lighting and drakes for Fringy performance. I hope this might be true on a permanent basis.
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Tue, September 7, 2004 - 9:15 AMNo Pity In South Philly
aka, the kickball game between InterAct and 1812 Productions
Here's the box score, and please don't shoot the fringe sports reporter ....
Points Highlight
====== ==========================
InterAct Theatre Company
+10 Published claim to be
Philly's "champion of the
red rubber ball."
-25 Did not uphold illusion
of said claim.
+10 Flashed batter, leading to
deflation of rubber ball.
+10 Mooned 1812 bench. (See
Best Costume).
+20 Best Costume: Hulk's
schoolgirl skirt. (Extra
credit for pigtails.)
+10 Won bench-clearing brawl.
+10 Nicknames on tee-shirts.
-5 Coaching batter to "wait
for your pitch."
+5 Appeared to have scored
more runs than 1812 did.
---
InterAct
TOTAL +45
----------------
1812 Productions
+10 Sustained illusion of an
organized and fair-minded
substitution pattern.
-5 Called time out.
+15 Ugliest player on the field.
+15 Lost bench-clearing brawl.
+15 Interrupted play by letting
small child run onto the field.
-10 Retrieved child.
+10 Appeared to score fewer runs
than InterAct did.
---
1812
TOTAL +50
----------------
WINNER: 1812 Productions, the 2nd Best Kickball Team
in Philadelphia (behind the Philadelphia
Dramatists Center)
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Tue, September 7, 2004 - 10:45 PMHey thanks - I hadn't gotten the report on this! Go 1812!
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Thu, September 9, 2004 - 8:00 AMObedience
presented by Pequod Industrial Theatre
October Gallery (on N. 2nd street, about a block from the Arden)
www.livearts-fringe.org/2004/f...ils.cfm
What a nice piece of writing, with three strong, unaffected performances. The intimate playing space and understated staging allowed me to slip into the world of these three fundamentalist Christians (one of them coming to terms with being gay) with ease. I definitely recommend. (Disclaimer: I do know the director.) -
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Mon, September 13, 2004 - 11:40 AMAnna Bella Eema
by Lisa D'Amour
presented at The Rotunda by the Greenline Project
I regret that reporting back on this production will not bring it any more audiences. Their last performance was yesterday at noon.
What a marvelous piece, my favorite of the Fringe to date. The director, John Fiscella, and his actors have been developing their take on this play over a two-year period, and they've come up with an utterly fun and fascinating composition that matches Ms. D'Amour's dextrous script to playful original music, daring movement, and verbal gymnastics. According to Mr. Fiscella they aren't finished yet, hoping that they'll be able to bring the playwright into their development process. I wouldn't be surprised if they come back to Philly (all but one of the company are from out of town), and y'all should stay alert to that possibility.
There was no program for the performance I attended, so I'll provide some pertinent information here:
anna bella .......................Morgan Eckert
irene/mom.........................Leigh Smiley
anna bella eema...................Merrill Garbus
The music, I believe, was composed by Ms. Garbus, who also played a devious keyboard in the production.
I gather that it is something of an ethic of this company to downplay the accomplishment and name recognition of its individuals in favor of the values being expressed by the production--in this case, a raising of consciousness about domestic and community violence. Mr. Fiscella mentioned that they prefer to perform in facilities and for organizations that serve the community. -
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Re: View from the fire exit: an outsiders guide on how not to miss everything
Thu, September 16, 2004 - 7:24 AMEmerging Artists, Program 1
->Elisa Lane, "Underneath It All"
->Workshop For Potential Movement, "It's Not a War, It's a Pageant"
->Dead Genius Productions, Substitution Chart
presented at Mum Puppettheatre, 115 Arch Street
today through Saturday, 6:30pm each evening
I'm glad to be able to recommend something that's still playing and isn't sold out (though the opening house must have reached around 90% capacity). Elisa Lane's piece alone would be reason enough to make time for this program, and "It's Not a War, It's a Pageant" was just plain too fun. Stop them before they dance again. "Substitution Chart," gnomic but personable, held its own with an appeal to the other side of my brain.
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